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(Scott) (27 IX 1879, , - 31 XII 1970, , ) - , . -- (1891-98; 1895). 1898 , . . . . , . . . . . . - . . . 1- 20 . . , ( . ., 1908-10). . , . . . . ( ). 1913 . . . . . (. ) . , (. - Lotus land, 1905, P ; -Indian suite, 4 , 1922). . . - (Russian danse, 1905) (Little Russian suite, 1916), (Russian fair) 2 .
.: 3 , .. (The alchemist, . 1918, . 1925, ), - (The Incompetent apothecary, 1923, ), , . - (. , 1903), (Nativity hymn, 1913) ., (Ode to the great men, . ., 1936), . - 3 (1900, 3 , 1903, - The Muses, 1939), (1962), 4 , 4 , 2 . (Passacaglias on Irish themes, 1916), (Neapolitan rhapsody, 1960) ., . - . (1915, 1950), 2 ., . (1928), 2 ., . ( - Der Musikant und die Nachtigall, 1930), . (1938), (1948), 2 . ., -. - . - ., ., (1961), 4 . 2 . , , . . (1960), 1 . 4 . , . (1903-35) - , , - (Summerland, 1907), (1913) (Old China, 1918), (Young hearts, 1920), (Album for boys, 5 , 1926) (Album for girls, 6 , 1926), , . 4 2 . . , .. . , 4 . ( - 1935), . 100 . . . . .: The philosophy of modernism, in its connection with music, L., 1917, My years of indiscretion, L., 1924 (); The influence of music on history and morals, a vindication of Plato, L., 1928, Music, its secret influence throughout the ages, L., 1933, 1950, . . L.,1958, N. Y., 1969, Bone of contention, L., 1969 ().

(: 6 ., 1973-1982)
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